Case Studies:
Client Challenges and Goals, and How We Addressed Them.
Pre-college performer preparing for US Musical Theatre School Auditions
Henya had prepared the acting of her college audition songs, but wanted to build as much nuance as possible into her singing, as well…
‘Legit’ soprano wanting better contemporary ‘pop / mix’ tone.
Sarah was known for her head voice, but wanted more options for a clean, modern ‘pop / mix / belt’ type of sound…
Cruise ship production vocalists wanting to see how good they can get.
Lucas always got good roles in high school and college, based on his talent, but knew things were more competitive in the professional world…
Singer / Songwriters
Carley trained as a theatre singer, but wanted to also write and record pop music, and to develop technique and style that was more authentic for pop singing…
Finessing ‘legit’ head voice for an audition.
Elodie wanted to ensure her ‘legit’ head tone was as dialed in as possible for her Light in the Piazza audition…
Performers with vocal health challenges.
Alexandra had an upcoming professional audition for In the Heights. A dancer first, she could belt loudly, but with limited range. She also had chronic mild raspiness in her speech, and it seemed safest to start with an ENT assessment, before challenging her voice further…
Clients performed for
…and accepted to
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